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ÀÌ Ã¥Àº ÀúÀÚÀÇ ´ëÇлýÈ° 14³â µ¿¾È ÁöÈÖ¹ý Ŭ·¡½º¿¡¼­ ÇлýµéÀ» °¡¸£Ä£ ±³¾ÈÀ» Åä´ë·Î ÇßÀ¸¸ç, ƯÈ÷ "¾î¶»°Ô Çϸé ÁÁÀº ÇÕâÀ» ÇÒ ¼ö ÀÖÀ»±î?"ÀÇ ¹°À½¿¡ ´ëÇÑ ÇÕâÁöµµ ¹æ¹ý°ú ±×µ¿¾È Çлýµé¿¡°Ô ÇÕâÀ» ÁöµµÇϸ鼭 ±ú´Ý°í ¹ß°ßÇÑ ¿©·¯ °¡Áö ¹®Á¦Á¡°ú ÇØ°á¹æ¾ÈÀ» °­±¸Çϵµ·Ï ³ë·ÂÇÏ¿´´Ù. ±âº»ÀûÀÎ Beating Å×Å©´Ð°ú ÇÕ⿬½À, ¿¬ÁÖÀüÀÇ Warm-Ups¿Í ÇÊ¿äÇÑ ¹ß¼º¿¬½ÀÀÇ ¿©·¯°¡Áö À½ÇüÀ» Á¦½ÃÇÏ¿´À¸¸ç, ¶Ç ÇÕ⿬½À¿¡¼­ °¡Àå Áß¿äÇÑ ÇÕâ¹ßÀ½, ±¸Àý¹ý, ±ÕÇü, Á¶È­ µî°ú ÇÕ⿬½ÀÀÇ Áöµµ±â¼ú, °îÀÇ ¼±Åà ¹æ¹ý µîÀ» ±â¼úÇÏ¿´À¸¸ç ¸¶Áö¸·À¸·Î Á¤È®ÇÑ ÇÕâ°î Çؼ®À» À§ÇÏ¿© °¢ ½Ã´ëº°·Î ÇÕâÀÇ Æ¯Â¡°ú ½ºÅ¸ÀÏÀ» °£Ãß·Á ±â¼úÇÏ¿´´Ù.


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A. ÁöÈÖ µ¿ÀÛÀÇ ½ÇÁ¦¿Í ¹æ¹ý(Beating Techniques and Methods)


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A. ¹ß¼º¹ý°ú Áغñ(Warm-Ups)
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 B. ÇÕâ ¿¬½À ÁöµµÀÇ ±â¼ú(Rehearsal Techniques)
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